That’s what I hoped for when I wrote this article. No longer the isolated revealer of secrets, he now walks the streets as a deliverer of people’s privacy. Five years before its downfall, the former East-German government (DDR) ensured its claim to power with a ruthless system of control and surveillance. But Wiesler isn’t the only character that grows in this story. One small issue: I don’t think Wiesler is delivering mail in the end. Well said ! He listens~~ to their dreams, their laughter, their fears, their passion and their lovemaking. As Wiesler observes Dreyman, he too becomes influenced by Jerska: And of course, we must consider the significance of Jerska’s gift as it helps structure the story. And, that you see my heart in what I do is the nicest complement of all. Each Ordeal brings a Reward but these Rewards collide, as Wiesler must choose between his loyalty to country, and his allegiance to his new friends, Dreyman and Christa-Maria. He assures them that his flat isn’t bugged. The mechanisms through which Wiesler comes to empathize and identify with the subjects of his investigation, as he observes and listens in on the rich blend of passion, poetry, and politics that characterizes their lives, are explored in depth. Article on science exhibition essay an inspector calls essay sheila walsh chee s daughter analysis essay dissertation proposal assistance van gogh artwork analysis essays essay on importance of teacher in english desperate horsemen critique essay citing direct quotes in a research paper human. The primary Reward earned from the First Ordeal is Dreyman’s renewed passion for his writing. This film also reveals the interdependence of physical and emotional journeys that characters often take. Plot Summary: In 1984, when an East German Stasi agent is ordered to spy on a writer, the more he discovers about the writer’s disloyalty, the more his own faith in the Communist system is shaken. (The Resurrection of the Ordeal), ‘Will Wiesler protect his job and reveal Dreyman’s disloyalty?’. East Berlin, November 1984. This birthday gift was intended to push Dreyman to act as the ‘good man. But his writing is now directed against the system that has destroyed his friend, Jerska, and threatened to destroy Christa-Maria. Feeling aligns us with, rather than against, each other. Witnessing his mentor’s arrogance, Wiesler keeps the evidence and requests that they step down their operations against Dreyman. One typical "offense against the system," punishable by two years of imprisonment, was "illegal border crossing". Hi Dr D, I Just had a question about the themes in the lives of others- I really love this film, but what would you say the main theme is?? Stasi Captain Gerd Wiesler is assigned by his superior, Anton Grubitz, to spy on successful playwright Georg Dreyman and the actress, who is also Dreyman’s lover, Christa-Marta Sieland. Dreyman speaks his suspicions that she is going to sleep with Hempf. Hope to see you again soon. Wiesler faces Christa-Maria and threatens to destroy her art and her ‘life’ unless she can reveal the location of the typewriter. It is their developmental task to use life experiences to integrate the energies of the other into themselves. Many of the characters do not change their morals except for Gerd Wiesler. ‘Will Captain Wiesler reveal Dreyman as an enemy of Socialism?’, Captain Wiesler serves as a loyal agent of the Stasi, determined to reveal the enemies of Socialism. We must  integrate these seemingly opposite energies into our personalities and awareness, if we are to become whole beings who can relate to the plight of others. I always say–you see in me, what is already alive in you, or you could not be present to it. Mourning Jerska’s death, Dreyman fears he’s lost his passion for writing. I like Kafka very much too. After Christa-Maria’s death, Dreyman can no longer write. At the start of Florian Henckel von Donnersmarck's Das Leben der Anderen (The Lives of Others), Wiesler demonstrates his dedication while teaching a … I encourage you to also look at this story through Dreyman’s journey, through his eyes and his actions. The celebration of their love also gives Dreyman renewed strength as a writer. And she realizes that she has lost love and life. I’m so pleased that you like this film and my analysis. Georg Dreyman goes from celebrated and loyal playwright of the GDR to activist against the system. After an encounter with Hempf, Dreyman confirms that his flat was wired. Wiesler ‘borrows’ the book of Brecht that Jerska was reading at the party, thus bringing this inspirational art into his own apartment. They Test his theory speaking openly about secretly bringing a relative across the border. The film won the Academy Award for the Best Foreign Language Film of 2006. Developmentally, men and women start out with energies that solely express their gender. ), Wiesler’s transformation as a ‘good man’ is rebuffed when he discovers that the person he helped cross the border was the editor of Der Spiegel. Thank you friends. (Approach to the Inmost Cave), Wiesler meets with Grubitz where his two conflicting goals collide head-on. Dreyman mourns his friend’s death by playing the ‘Sonata for a Good Man’. Wiesler listens and cries. I enjoys reading your interpretation as well as the story, just watched the film and looking how this story might related to other audience and what common and different experiences of philosophical, literal interpretations we might have. This subject has always fascinated me, and it was great to see this conflict explored in this film. Intent on revealing their disloyalty to the GDR, the agent becomes involved in. I cannot hide who I am from you. Grubitz pressures Wiesler to interrogate Christa-Maria, and prove that he is still on the ‘right side’. Every psychological theorist contends that balance is a requirement for healthy mental and physical functioning. Talk with you FB. Written and directed by the then 33-year old Florian Henckel von Donnersmarck at his first feature film debut, The Lives of Others accurately captures the atmosphere of extreme political claustrophobia and paranoia that millions of citizens had to endure for more than 40 years in the German Democratic Republic (DDR). Wiesler’ Resurrection will be complete when he’ honored for his sacrifice, and receives the assurance that indeed he is a ‘good man’. (Note, how he doesn’t have to sort or give different amounts of letters; note the lack of uniform.) He’s longer a passive observer, but an active participant in the lives of Dreyman and Christa-Maria. The makings of your everyday life are the seeds for this powerful story that you are shaping about yourself, right now. She gives up the location, but Wiesler defies Grubitz and returns to Dreyman’s apartment to take the evidence. Hello Farrukh, I’m happy you want to see the film, now. All content provided on this blog is for informational purposes only. He now knows that Grubitz is suspicious of Wiesler, but Wiesler’s relieved when the search team fails to find Dreyman’s typewriter. The Lives of Others (German: Das Leben der Anderen, pronounced [das ˈleːbn̩ deːɐ̯ ˈandəʁən] (listen)) is a 2006 German drama film written and directed by Florian Henckel von Donnersmarck marking his feature film debut. You expressed this juxtaposition in terms of feminine vs masculine energies. ‘. Jerska is Dreyman’s master director, but he’s been silenced by an informant. (I see this sequence as another reflection of Wiesler’s Ordinary World. It illuminates the corrupt system during the communist regime of the GDR. That assurance comes from Dreyman who takes over the Journey in Act III. (Test), With growing pressure from Hempf, Grubitz pushes Wiesler to ‘find something’ on Dreyman. ‘Wiesler reads the dedication, and purchases the gift. In the following Journey Breakdown, I’ve presented some of the key story moments with an interpretation of their representative Hero’s Journey stage. Skeleton in the cupboard is very descriptive. Wiesler’s supervisor, Grubitz, relishes that their interrogation practices effectively destroys the creative life of the artist. The Lives of Others, the film debut of Florian Henckel von Donnersmarck, is a magnificent tribute to the human soul By David Gritten 26 September 2014 • 16:00 pm The Lives of Others Monitoring from the attic, Wiesler listens to the search of Dreyman’s flat. Christa-Maria’ death and the fall of the Berlin Wall have silenced Dreyman’ voice as a playwright. I appreciate the differences between many of us culturally, racially, and religiously, but value deeply the connection that we share to each other as fellow human beings. The owner will not be liable for any errors or omissions in this information nor for the availability of this information. [box]The Lives of Others Man hunts, gathers, acquires, usurps, and destroys if threatened. Wiesler cries as Dreyman plays the ‘Sonata for a Good Man’, a birthday gift from Jerska and the inspiration for Dreyman’s final dedication to Wiesler’s sacrifice. But with Glasnost, Wiesler leaves the basement steaming room, and soon serves his country and his countrymen as a mail carrier. To show his allegiance to the system, Wiesler threatens to destroy Christa-Maria’s ‘life’ in the theatre. Note that in Act IIA and IIB, I’ve emphasized two Ordeals. Notably: As you explore this movie, also consider how art, or lack of it, defines a character’s life: Jerska becomes an important mentor for both Dreyman and Wiesler. If you think about it, each time you share something personal about your life, you are storying the experience with a context that suggests who you are, what you believe and value, and what you dream most for yourself. Feeling is the basis to understanding, empathy, compassion, kindness and giving. Warm regards Deborah. Holding his sealed report in his hand, Wiesler listens to Grubitz praise their interrogation system that successfully destroys the artist. (The Second Ordeal). © 2020 Psychology in Every Day Life | A Publication By Dr. Deborah Khoshaba. Much love to you, Warmly, Deborah. Today, Iâm sharing a powerful story with you about the tragic outcome of failing to appreciate the humanness of others. Das Leben der Anderen. Standing in an elevator in his own apartment building, he is joined by a little boy with his football who looks up at him and asks, "Is it true you work for the Stasi?" I tend to maintain Kafka’s pessimistic view. How an educator uses Prezi Video to approach adult learning theory; Nov. 11, 2020. Warm regards to you Farrukh, Deborah! Wiesler has a gut feeling that Dreyman can't be as ideal as he seems, and believes surveillance is called for. Talk to you soon, I hope. Still today, I am moved deeply by the powerful portrayal of human being pitted against human being solely because they have no understanding of each others’ lives. Wiesler’s action allows Dreyman to complete the anti-GDR article, which is published in Der Spiegel. Analysis Of The Film ' The Lives Of Others ' 1472 Words 6 Pages The film The Lives of Others takes place in 1984 East Germany, Stasi officer Hauptmann Gerd Wiesler is assigned to spy on playwright Georg Dreyman.Wiesler soon learns the real reason behind the surveillance: Minister of Culture Bruno Hempf covets Dreymans girlfriend, actress Christa-Maria Sieland, and is trying to eliminate his rival. He becomes a catalyst that triggers transformation in the others that he observes. There comes a time in everyone’s live, we frequently wanna avoid certain reality happened to us; consequently, adoption and possession of other experiences relive the wind of doubts in our life. But Grubitz makes Wiesler suffer for his sacrifice, and demotes him to years of service steaming open envelopes. Nov. 11, 2020. (Test), Later, Wiesler enters Dreyman’s flat and takes his Brecht book, bringing this literature and art into his own apartment. Wiesler’s Crossing of the Threshold has unsettled Wiesler’s personal world and his professional loyalty. The 2006 German drama film The Lives of Others (German: Das Leben der Anderen) directed by Florian Henckel von Donnersmarck follows the lives of playwright Georg Dreyman (played by Sebastian Koch) and his girlfriend Christa-Maria Sieland (played by Martina Gedeck) in East Germany between 1984 and 1991. Warmly Deborah. During this ‘death’ moment, Dreyman confirms Christa-Maria’ deception. d Florian von Donnersmark Wiesler as a ruthless and efficient Stasi operator and uses recording of interrogation of suspect to form Stasi trainees Their humanness, their creativity and passion, and their love for each other stimulated Wieslerâs imagination and his feminine, more feeling side. Thank you for sharing your experience and valuable insights into this difficult topic. thank you Hanya. Still under the Stasi, Wiesler steams envelopes. (This signals a moment of decision and action on the part of Wiesler. With pressure from Hempf to destroy Christa-Maria’s theatrical career, Grubitz interrogates her and forces Christa-Maria to name Dreyman as the author of the Der Spiegel article. In addition to the Storyform, you'll also find any additional analysis or … ‘. Let me admit candidly Deby has a lovable heart which is very much visible here.I really enjoyed the remark about the masculine energy of police state threatened by heart ,whose feeling can weaken its so-called rules & regulations. Wiesler and the Stasi team bug the apartment and set up surveillance equipment in a nearby attic, and begin reporting on Dreyman’s activities. (An Ordeal)Christa-Maria prepares to leave Dreyman to ‘see a classmate’. The 2006 film The Lives of Others (Das Leben der Anderen) is about you; it’s about all of us. Written and Directed by Florian Henckel von Donnersmarck[/box]. A loyal agent for the Stasi spies on a playwright and his actress girlfriend. nice reading, wonderful analysis. Deborah’s review has aroused in me an immense desire to see the movie.The morale of the story that “Feeling aligns us to be with each other”, is impressive. But, my heart is a Kierkegaardian that works of true love are indeed possible. Thank you. The film takes place in 1984 in state-socialist East Germany and tells the story of Captain Gerd Wiesler (Ulrich Mühe), a stoic officer of the Secret Police, Ministerium für Staatssicherheit (also known as The Stasi). One of the best scenes in The Lives of Others is a small one that signals that a transformation has taken place in Wiesler during his surveillance of the playwright. As the film progresses, the audience is able to see the moral transformation of Stasi Captain Hauptmann Gerd Wiesler primarily through the director 's use of the script, colors and lighting, and music. It serves as … ‘He and Christa-Maria make love. He sacrifices his career for the lives of Georg and Christa-Maria. (Das leben der anderen) Wiesler questions the evidence that destroyed Jerska’s career and life. The unexpected problem that disrupts Wiesler’s Ordinary World arrives with the mysterious car. The subtle shift of awareness, understanding, and positive feeling of Stasi police agent Captain Wiesler toward the playwright Dreyman and his actress-love Christa-Marta Sieland shows us that empathy, compassion and kindness comes from seeing the ways in which we are all alike, rather than the ways that we are different. Armed with his search team, Grubitz personally uncovers the hiding place, but it’ empty. After seven years of being blacklisted, Jerska questions his life for he’s no longer allowed to create his art. Nikko, you take good care and thank you for writing me. With much love==your former student…. It was a regime which was characterised by espionage and inhumane and morally doubtful acts. ), ‘Will Wiesler help save the relationship between Dreyman and Christa-Maria?’. Since movies allow us to show character, revealed by action, we can appreciate von Donnersmarck’s choice to mark Wiesler’s transformation by his profession. Stasi Captain Gerd Wiesler is assigned by his superior, Anton Grubitz, to spy on successful playwright Georg Dreyman and the actress, who is also Dreymanâs lover, Christa-Marta Sieland. After discovering the motives behind the investigation, Wiesler cannot help but feel compassion for the writer he is spying on, and ignores Dreyman’s anti … But it’s also a Meeting of the Mentor, an invitation for Wiesler to be influenced by Dreyman’s world and his love shared with Christa-Maria. However the film's cruelest irony is that whenever Wiesler manages to do something decent, it always rebounds on the people he seeks to protect. More true for countries in south Asia.A wonderful analysis (and certainly a fascinating start) by Dr Deborah Khoshaba ! Furthermore, Dreyman’s arrogant shouting in defiance of the system pushes Wiesler to compile the evidence for Grubitz. I can’t wait to see more postings of your film critiques. (This rich sequence weaves several stages. An Online Self-Help Resource: Learn To Live The Best Life Possible, Psychology in Every Day Life | A Publication By Dr. Deborah Khoshaba, The Lives of Others: Film Analysis by Dr. Deborah, Getting to Oz Receives Two 2016 Publishing Book Awards, New Years 2016: A Need to Belong to Each Other, Nightcrawler’s Antihero Lou Bloom: Sociopath Par Excellence, Birdman: An Unexpected Virtue of Ignorance. The idea that most speaks to Wieslerâs psychology is Jungâs idea of the masculine and feminine prototypes of the human being. He is delivering advertising leaflets. Without the damning evidence of the typewriter, and with the death of Christa-Maria, Grubitz closes the investigation against Dreyman. Initially, to me, as a junior year international student, I finds the movie portrait the reality instead of knowledge. Grubitz warns Wiesler of a rendezvous planned between Hempf and Christa-Maria that will jeopardize her relationship with Dreyman. This blog is not meant to professionally treat people psychologically. And, if you wish to share this post with others, you can tweet or give this article a Google +1. Synopsis of The Lives of Others Film : The Lives of Others monitors the cultural scene of East Berlin in 1984, during the German Democratic Republic. This Resurrection sequence restores Dreyman’ faith in humanity, his passion to write, and elevates Wiesler’ life to a work of art. Jung theorized that in every man is a woman, and in every woman, there is a man. Wiesler prepares to call the Border Agent, but doesn’t go through with it. ‘It’ for me. Christa-Maria’s revelation is the story’s Plot Point or moment of greatest despair – and it initiates the Road Back sequence. Jerska’s gift of the ‘Sonata for a Good Man’ marks the turning points of the Journey of Transformation for both Dreyman and Wiesler. Gerd Wiesler is an officer with the Stasi, the East German secret police. Kafka’s Gregor was so thoroughly conditioned to be LIKE a vermin, that he eventually became one, and Kafka clearly sees no possibility of reversing his metamorphosis. (Ordinary World), A former classmate and now head of the Culture Department at the State Security, Grubitz assigns Wiesler to monitor playwright Georg Dreyman, and his girlfriend-leading lady Christa-Maria. LIVES OF OTHERS, the playwright Georg Dreyman is the subject of an "Operative Procedure.") (Call to Adventure), Wiesler listens to Dreyman’s birthday party, and observes that Dreyman does not speak up against the GDR. Christa-Maria transforms from loving girlfriend to tragic informant. How can he be a director without a play to direct?This realization pushes him toward suicide. Captain Wiesler initiates his journey to reveal playwright Georg Dreyman as an enemy of Socialism. Germany . Wiesler is interrupted by his surveillance replacement before knowing the outcome of this Ordeal. I enjoyed your interpretation more so than the film itself. Dreyman observes his ‘guardian angel’ from a distance and finally writes his ‘report’ – a book celebrating Wiesler’ sacrifice. A more menial job. He discusses how faithful The Lives of Others is it to the memory of existence under the all-seeing eye of the hated secret police. Getting to Oz: The personal journey home to your true self. Wiesler witnesses her tragic exit. Wiesler is stunned and can only reply, "Says who?" This is also the Reward that Wiesler has been seeking to confirm his initial goal: to reveal Dreyman’s disloyalty. And Grubitz warns Wiesler to strike this information from the record, for they are not allowed to monitor fellow members. This is the beauty of film in showing us a better way. ), Wiesler observes a mysterious car drop Christa-Maria off at Dreyman’s flat, and Wiesler notes the license number. Excellent illustration of Jungian perspective toward the characters. In Chinese, there is this saying, “There is always a difficult chapters for every family to read” (to have a skeleton in cupboard). I hope you liked my post today. The Lives of Others (original German: Das Leben der Anderen) is a 2006 film about the monitoring of the cultural scene of East Berlin by agents of the Stasi, the GDR's secret police. Analysis Of The Film ' The Lives Of Others ' 1472 Words | 6 Pages The film The Lives of Others takes place in 1984 East Germany, Stasi officer Hauptmann Gerd Wiesler is assigned to spy on playwright Georg Dreyman.Wiesler soon learns the real reason behind the surveillance: Minister of Culture Bruno Hempf covets Dreymans girlfriend, actress Christa-Maria Sieland, and is trying to … Wiesler did not know what a blessing was bestowed upon him, when he was put in charge of monitoring their activities. The film begins in 1984 when Wiesler attends a play written by Georg Dreyman, who is considered by many to be the ultimate example of the loyal citizen. The Lives of Others. She may sleep with Hempf for her art, but as the GDR’s favorite playwright, hasn’t Dreyman been sleeping with the system as well?Wiesler observes this Ordeal – a ‘death’ of their relationship, of their art, and of their allegiance to the system. This protagonist begins a trek determined to accomplish a physical goal, unprepared that this pursuit will transform him or her in an emotional and significant way. Notably, it is a Refusal of his Call to reveal Dreyman as an enemy. But, this film is less a picture of the pros and cons of communism and more a story about humankinds struggle to develop psychologically and spiritually. For example, the masculine energy is the hunter and gatherer. Wiesler not only gets to know them, but he sees that he is them. Dreyman and Christa-Maria make love, while Hempf sulks without a bedmate. He becomes a man who feels, simply because he was privy to the feeling lives of others. Jerska’s suicide forces Dreyman to do the right thing, and compose the article for Der Spiegel. Such is Wiesler’s Journey in The Lives of Others. In some stories, the protagonist may initially enter the journey anticipating an emotional change or elixir; romance and romantic comedy are two genres that regularly celebrate a character’s willing pursuit of emotional growth. No matter the story being shared, there is always something in it with which you can relate, if you dare to open yourself up to and explore its meanings. , was `` illegal border Crossing '' use are subject to change anytime! Between protagonist and antagonist, for they are not allowed to create his art system pushes Wiesler to find... Than what actually takes place ‘ Sonata for a good man? ’ us with, rather what... A story about your life his two conflicting goals collide head-on for Der Spiegel 's secret police the ideas this. Renewed passion for his sacrifice, and destroys if threatened, that you are shaping about yourself, right.. Piano music titled ‘ Sonata for a good man ’ career ; begins. 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