The article scans all the Canon’s cinema cameras (apart from C300 Mark III) and the reason for their development by taking into consideration their defined market segment. Hypothetically speaking, if Canon had never released the C500 Mark II and instead just made a full-frame C300 Mark III with 4K 120p recording and a Dual Gain Output for under $12,000 USD they would have created a camera that everyone would have jumped on. You only output 4K 60 fps via 12G-SDI. Secondly, the larger sensor of the C500 Mark II is probably better in low light situations. Here’s a summary of each round, and the “winner”: It should be blatantly obvious by now which camera is suited for what. The EOS C300 Mark III includes the same built-in five-axis electronic IS introduced with the EOS C500 Mark II that works with almost any lens, including anamorphic. The EOS C300 Mark II Digital Cinema Camera features a new log gamma designated as Canon Log Gamma 2, which was designed explicitly for the camera's 10-bit recording capabilities. V-mount plate with P-tap output (only V2), Lens control for certain supported lenses (only V2), About $5,000-$7,500 savings in investment, Lighter setup because you don’t need full frame lenses, Putting together a camera package in a modular system. Email Address Also, if you have multiple accessories it’s a good way to power them as well. The EOS C300 Mark III supports ACES 1.0 of the Academy Colour Encoding System. Then pick the Canon C500 Mark II. If you’re interested in learning about lenses and how that would impact your purchase, check out these two articles: In terms of lenses, generally speaking, full frame lenses cost more than Super35mm lenses. For true anamorphic, the sensor needs to span at least 21.95mm x 18.6mm. Super 35mm Dual Gain Output (DGO) Sensor; 4K 120p, 2K Crop 180p HDR; Cinema RAW Light and XF-AVC H.264 Codec; EF Lens Mount, DIG!C DV7 Image Processor; Price: $10,999; Canon C70 Key Features . It’s the camera that excites me the most for the kind of work I do. Deciding between these 2 cameras was pretty easy for me. You also have the option to opt-out of these cookies. Thankfully both these cameras have changed that. This piece of information helps to shed more light on Canon’s Cinema lineup. Both cameras have important 12G-SDI ports and the obligatory HDMI A port. I don´t need or want 6K, more DR, more managable file sizes in raw, 120p, same body, autofocus at all frame rates and brilliant 10-bit 4:2:2 codec options. I think the C500 Mark II, C300 Mark III and C200 Mark II will be compatible with an RF-mount conversion that was rumored earlier. A complete visual representation + video of the filmmaking process from beginning to end. What you get: I believe these are the features that contribute to food on the table. This applies to both cameras. Don’t forget to take that into account. According to Canon: For DAF, each pixel in the camera’s CMOS sensor is configured with two photodiodes. The C500 Mark II is definitely a cinema camera. I´ve tried the C200 with Sigma 18-35 f1.8 and the 50-100 f1.8 a few times and I loved the image I got out of this combo, but the c200 raw is a bit too noisy for my liking, so the c300 mark III fixes that with DGO and adds the electronic image stabilization on top of that. Notable new features compared to the previous model are the implementation of a sensor capable of a 15-stops of dynamic range, 4K XFAVC and 12-bit internal recording, color matrices, and the ability to record raw motion video via external recorder. The EOS C500 Mark II is the first Canon Cinema EOS camera to feature built-in five-axis electronic IS that works with almost any lens including anamorphic. Have a look at the list below: The only cameras that allow us to shoot internal RAW are C500 Mark II, C300 Mark III, and C200. The most significant difference is implemented in the C300 Mark III, which is the Dual Gain Output (DGO) that allows the DR (Dynamic Range) to be enhanced to 16 stops (claimed by Canon). Both the Canon C300 Mark III and Canon C500 Mark II were launched relatively close to each other. The Canon 300 Mark II and the original C500 both had audio modules separate. Both cameras can record HD proxies simultaneously. For just Genlock, you can purchase the cheaper Canon EU-V1: It is clear if you need the cameras for any sort of regular broadcast work you will have to purchase the EU-V2 expansion unit. This website uses cookies to improve your experience while you navigate through the website. But let’s get back to the C300 Mark III, fast forward 9 years to the presence – first off, the Canon C300 Mark III feels very much alike the full-frame C500 Mark II (watch our first hands-on here and read our lab test looking at the dynamic range and rolling shutter of that camera here). We'll assume you're ok with this, but you can opt-out if you wish. Before the announcement of the C300 Mark III, we wrote an article that summarizes the Cinema EOS history. It is mandatory to procure user consent prior to running these cookies on your website. On the other hand, the full frame sensor of the Canon C500 Mark II does offer two tremendous advantages due to the larger sensor: For a lot of professionals, in this price point, usability is as critical as image quality. Canon EOS C300 Mark III. For the better, in my opinion. After digging a bit at Canon’s website, we’ve found a very informative and educational comparison chart of the entire Cinema EOS family. Canon XC15 4K UHD Professional Camcorder . What are your thoughts about the Cinema EOS cameras? If you use dual pixel AF, LUTs, etc., the consumption will be higher. According to the latest rumors from CR2, the next cinema camera is likely called the “Canon EOS C300 Mark III”. Subscribe to Y.M.Cinema Magazine to get the latest news and insights on cinematography and filmmaking! There is a slight advantage to the C300 Mark III, though in real-world use, I’d say that advantage is not big enough to get concerned about. One important thing to note is you get a free 512 GB CFexpress card and reader with the C500 Mark II. Is the ACHTEL 9×7 “IMAX Mini” Innovation or Imitation. Additionally, video output from the camera can be … Nevertheless, the C200 can be used under some circumstances as a secondary camera in Netflix productions (The Canon C200 can be Used on Netflix Productions (Under Some Circumstances)). So for the purposes of this article I’ll assume they are equally good enough for all practical purposes. D'ailleurs, pour … Users can also choose from a wide range of additional optional accessories that allow them to configure the EOS C300 Mark III camera to their preferences. Comment below! Both cameras have Dual Pixel AF with support for Touch AF and Face Detection AF. Côté enregistrement, la C300 Mark III enregistrera en interne du Cinema Raw Light jusqu’en 4K/120p, le format Raw compressé déjà présent sur la C200 et la C500 Mark II. There will be no 8K version of the camera like previously reported according to this source. In February this year, the Canon C500 Mark II entered this prestigious list with the new codec Cinema RAW Light. The standard EF mount is non-locking. . The files produced using Log format are ideal for color correction/grading in post-production, providing users with a high level of creative freedom while minimizing degradation of image quality. These cookies do not store any personal information. However, I’m guessing it is a matter of month or two till it’s approved since it has the Cinema RAW Light capabilities plus the best cinematic imagery in the EOS family. 12G SDI Support for 12G SDI allows the EOS C300 Mark III to output 4K resolution up to 60p over a single BNC cable. Review of the Canon C300 Mark III with comparisons to the C500 Mark II for image quality, low light performance, dynamic range, and workflow considerations. Canon is the class leader here, and with Canon’s range of cinema lenses there’s nothing left to say. Original batteries only, from B&H. However, those beasts are less popular on Netflix, as for some reason, cameras like ARRI and RED are being chosen for those productions. Canon EOS C300 Mark II The device has a standard memory slot (such as an SD or micro SD card slot) that enables you to extend the built-in internal storage with affordable memory modules, or easily retrieve data, such as photographs, from the memory card. Not only does it add to the cost of the camera, but also the time to work with RAW in post, and the cost of additional storage and processing power. I had touched the focus magnifier button by accident. C200 (which I own btw.) However, if you go to 6K (which is a very important reason to pick the C500 Mark II in the first place), you’ll double data rates. What this means for the average shooter is that the image quality differences between the two might not be significant enough. If I had to pick just one winner for myself, I’d pick the Canon C300 Mark III. on Canon C300 Mark III vs Canon C500 Mark II: When to pick which? And just like its predecessor, it is targetted at video production professionals. By the way, it’s interesting to explore the comeback of the smaller sensor size (Super 35) in modern cinema cameras (even ARRI is developing a new ALEXA S35 – read: ARRI Confirms the ALEXA Super 35 4K to be Launched in 2021). EOS C300 Mark III Accessories. Out of these cookies, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. A lot of C300 Mark II users jumped to the C500 Mark III without knowing a C300 Mark III would follow soon after. Canon’s R&D was playing with several parameters regarding its Cinema EOS lineup: sensor size, codec, and frame-rate. It is pretty clear, according to Canon’s own estimation, the Canon C300 Mark III is clearly better in terms of dynamic range. The Cinema EOS party has begun in 2011 with the C300 and is being continued until today with the magnificent C300 Mark III announced two months ago. This needs to be tested with the same lenses under similar situations. All this contradiction … has no 10 bit 4k (even external) but it has 12/10 bit Raw internal to fast. Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. Sa plage dynamique très étendue (allant jusqu’à 15 IL) permet un travail poussé en post-production, une reproduction colorimétrique sans égal ainsi qu’un excellent piqué d’image. . However, the C200 is not due to a lack of TC (Time Code). Et sinon laissez-nous vos coordonnées pour être informé des prochaines sessions ! These … Also, the chart can be downloaded from Canon’s website. Canon EOS Cinema cameras are popular among independent professional productions. The EOS C300 Mark III includes the same built-in five-axis electronic IS introduced with the EOS C500 Mark II that works with almost any lens, including anamorphic. Now let’s get into the camera video specifications: ^C-Log 2 has the highest dynamic range. From then, this family has been thriving and expanding, by offering new options and technology. Il dispose d'une entrée 4 canaux, dont une prise micro, un micro mono interne et deux connecteurs XLR, ce qui permet de sélectionner et de mixer plusieurs sources audio afin d'enregistrer un son d'ambiance. Indeed, 2011 was the year that Canon stepped into the age of cinema cameras. C300 Mark III: XF-AVC: MPEG-4 AVC/H.264, Compressed RAW (Cinema RAW Light) The only cameras that allow us to shoot internal RAW are C500 Mark II, C300 Mark III, and C200. 2021 Film Festival, Sony Presents the FE C 16-35mm T3.1 G: Cinema Lens With Autofocus Capabilities, Sony Announces the FX6: A Hybridization Between VENICE and Alpha, MacBook Pro Price Comparison: Apple M1 Vs. Intel Core i7, RED Helium 8K VS Blackmagic URSA 12K: A Comparison of the Essentials, Canon has Published the Cinema EOS Comparison Sheet: From C70 to C700. What this means you can use anamorphic lenses that take advantage of the Academy Colour Encoding System new. Latest news and insights on cinematography and filmmaking the EOS C300 Mark III supports ACES of... Dual Pixel AF, LUTs, etc., the brand new C300 Mark III to 4K! For both formats you can compare directly little Cinema camera that ’ s Cinema lineup use Dual Pixel AF. And remained a major added value even in the shot TC ( Code! 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